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In May of
2001 while in Naples, Italy I was walking through the remains of an open
air flea market that had closed down a couple of hours.
I looked down and noticed a small white place card with the number
12 hand written in black marker.
It caused me to wonder what kind of interesting items booth
number 12 must have contained. I
also noticed that the white card rested on the gavel textured pavement
next to an Iron manhole cover. The
composition was very appealing as were my thoughts about the history of
the white card so I took a shot of it with my digital camera.
That shot started a six year (so far) photo essay on the flotsam
and jetsam of everyday life that can be found under foot and what kind of
photographic and archiological interest they may have for the perceptive
viewer.
Objects representing the life of the inhabitants survive the street
sweepers at least long enough for me to discover them.
Over time I noticed that certain objects kept re-appearing.
Buttons, twisted wire, gold metal foil, all manner of plastic parts
and rusted metal are only a few examples.
There are also the unusual and rare objects such as a paper
yarmulke from the streets of
Prague
,
Czechoslovakia
or a section of a broken tape measure near
Taksim Square
in
Istanbul
,
Turkey
.
When I
find an object of interest I compose the shot, without disturbing the
“Find”, to include surrounding objects, shadows and other shapes, the
goal being to capture a shot that will stand on its own as an abstract
composition. I then
place the object in a plastic zip bag and catalogue it with notes in a
small notepad.
In
brick-and-mortar exhibitions, the digital photographic image, accompanied
by a satellite image map of the find location, accompanies display of the
actual find.
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